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Brief History of the reduced size es / 8 sound

In 1910 Vittorio Calcina ensures the exclusivity of 17.5 mm [Cine-Parvus]. In 1922 Pathé
proposes a 9.5 mm central perforation [Pathé Baby].
In 1923 came the 16mm [Eastman Kodak Company] proposed to cineamatori equipped with all the accessories needed for production of the film [camera, tripod, projector, screen and splicer].
In 1932, the Kodak sells the 8mm format [also called Doppio8, Standard8 Regular8 or depending on the country] that uses 16 mm film with twice the normal drilling.

Only in 1965 will be released on Super8, which will bind its name to the special handling and the technical simplicity of use:

• film loading is instantaneous: fifteen feet of film stored in a magazine, can easily be inserted in the light of day
  
• the camera is equipped with an automatic adjustment of the diaphragm, which solves the problems associated with photographic and technical skills required until then;
  
• the control system is simplified technique, based on models of the icons allow to understand the function of the buttons;
  
• than all'8mm has secured a better image definition being more emotional about the surface of 50%.
• In the seventies the Kodak markets a film s / 8 sound: a very thin magnetic strip had been attached to the film, allowing for (a movie camera with sound) to record live audio, avoiding the less "technical" the next pistatura.